If you’ve taken a Romance language, you know that everything sounds better in a foreign language than in English. I took Spanish in high school and even a phrase like “I just took a giant shit ” sounded like poetry when spoken with that beautiful Spanish phrasing.
The same can be said about actress Penelope Cruz, who hails from central Spain. She shines in roles in her native tongue, bringing equal parts unbridled passion and effortless poise to her characters. Yet, when cast in English-speaking parts, like in Sahara or Vanilla Sky, she comes across as limp and out of her element.
Pedro Almodóvar, who directed her in Todo sobre mi madre and Volver and serves as her mentor, brings out an expressiveness and vibrancy in her that simply isn’t matched in any of her English-speaking roles. The director regularly portrays in his films that a beautiful woman has much more going on internally than just being beautiful, and Cruz’s depiction of a flawed, yet strong-willed single mother in Volver proves this.
Her screen presence is unmistakable. In Vicky Cristina Barcelona, when Cruz mentors Scarlett Johansson in photography, her movements and expressions were so consuming that I didn’t even realize I was watching someone acting in a film until the next scene change. Frequently in VCB, Cruz goes off on an impassioned rant in Spanish and Javier Bardem’s character begs her to speak in English so that others can understand. What he doesn’t understand is that that’s when she comes alive.
It also doesn’t hurt that Cruz is drop-dead, a fact that Almodóvar never fails to make apparent in his films (see screenshot from Volver below). All eyeliner and graceful voluptuousness, Cruz commands the screen.
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Her next big film role is Nine, with Daniel Day-Lewis and Marion Cotillard, which opens Christmas day. Nine is a movie musical based off of 8½ by director Federico Fellini, another one of my idols.